The Great Expectations By Charles Dickens - 3420 Words

Archetypes can be found in every piece of literature, even if they are hidden within the writing. For example, even though religion may not be a primary aspect in a piece of literature, the complex idea of angels and demons can still be apparent. In the novel Great Expectations, by Charles Dickens, the several diverse characters represent the idea of angels and demons. The novel revolves around the life of a young, common boy named Pip who receives a sudden fortune from an unknown benefactor and is expected to learn the ways of being a gentleman after moving to London. When he falls in love with a heartless woman, his need to woo her clouds his judgment regarding what is important in his life, and the importance of wealth and social class†¦show more content†¦Because of their angelic qualities, Joe Gargery, Biddy, Herbert, and Magwitch are portrayed as angels, Mrs. Joe, Estella, and Mrs. Havisham are portrayed as the demons. Although the novel is centered on Pip’s life, the moral attributes are centered on Joe Gargery. Joe, who is Pip’s brother-in-law, has a naturally humane and obedient personality who understands right from wrong. He lives a rough life constantly receiving verbal, and occasionally physical, abuse from his wife, Mrs. Joe Gargery. Pips describes him as â€Å"a fair man, with curls of flaxen hair on each side of his smooth face, and with eyes of such a very undecided blue that they seemed to have somehow got mixed with their own whites. He was a mild, good-natured, sweet-tempered, easy-going, foolish, dear fellow,—a sort of Hercules in strength, and also in weakness† (6). In the Victorian era, the qualities associated with being a gentleman were different than they are now. â€Å"Gentlemen† back then were known for having wealth, good hygiene, and appropriate manners. But even though the â€Å"gentlemen† described in the novel have those qualities , they appear to be terrible people, being rude and conceited. Although Joe was raised as a blacksmith, receives just enough money to support the people he lives with, and cannot read or speak properly, he is a hard-working, loyal, and honest man who cares for the people he loves. He

Romeo and Juliet vs Wesi Side Story Free Essays

Rooney 1 Samuel Rooney Danielle Cornum English 9 30 January 2012 Similarities and Differences of Romeo and Juliet and West Side Story No one goes through all of life without the knowledge of these two timeless classics: West Side Story and Romeo and Juliet. These films are each a great literary work that defines the true meaning of life, sorrows and love. We all have knowledge of Shakespeare’s original Romeo and Juliet. We will write a custom essay sample on Romeo and Juliet vs Wesi Side Story or any similar topic only for you Order Now In 1957 Leonard Bernstein created a Broadway Musical with a plot similar to Romeo and Juliet. As well as this film, Baz Luhrmann created a film in 1996 using the exact play write from the original Romeo and Juliet set in modern times. Luhrmann entitled his film simple, Romeo and Juliet. These two timeless tales can be compared in many ways, such as: the differences and similarities Romeo and tony, the differences and similarities of each of the fighting scenes, and the differences and similarities of the wedding scene. Rome and Tony are two of the most complex characters in all of literature. They can be compared and contrasted in many ways. The two different characters each have their very own attitude, this sets them apart but also brings the similarities out. â€Å"Ay me! Sad hours seem long. Was that my father that went hence so fast? (Lit Book) when you first come upon Romeo he is sad and lovesick. On the contrary when you first come upon Tiny he is very upbeat and joking Rooney 2 with his friends; two very different attitudes. The actions of these two are also very good examples of comparing and contrasting the similarities and differences between Romeo and Juliet and West Side Story. What shall this speech be spoken for our excuse? Or shall we go on without apology? † (Lit Book) Romeo is very reluctant to go to the party, he is nervous and scared. On the contrary, Tony is happy and excited to go the party, he welcomes the challenge to meet new women. Last but not least both Rome and Tony are hopeless Romantics, and there is no cure for such a disease as romanticism. â€Å"It is I my lady. Oh, it is my love ! Oh, that she knew she were! (Lit Book) they both have a very potent form of love. They cannot get over Juliet in Romeo’s case and Maria in Tony’s case. Hopeless Romanticism is the most common similarity that Tony and Romeo have. Many more similarities and differences can be found, these are the main points that have been brought to attention for this particular essay. Many think that these two fighting scenes are straight forward and not complex, but on the contrary there are many similarities and differences. In Romeo and Juliet the fighting scene is somewhat of a duel, and not a full on combat such as in West Side Story. â€Å"Romeo, the love I bear for thee can afford. No better term than this: thou art a villain. † In Romeo and Juliet Tybalt challenges How to cite Romeo and Juliet vs Wesi Side Story, Essay examples

Human Resource Management Strategies and Leadership

Question: Discuss about the case study Human Resource Management for Strategies and Leadership. Answer: Massachusetts General Hospital The 868-bedded Massachusetts General Hospital is one of the oldest and renowned general hospitals in the country and the oldest academic-oriented hospital of Harvard Medical school as well. MGH takes care of approximately 42,000 inpatients and handles 1.2 million outpatients, annually. MGH has woven medical and social arenas together by associating with African-Americans, Hispanics and Asians. The hospital has always propelled the efforts to strengthen the workforce diversity and has boosted and enhanced the culture which empowers and uplifts the community. The linkage between community service and proficient culture has led to outstanding business outcomes (American Hospital Association, 2004). Actions And Initiatives Taken To Create A Diverse Workforce Through Leadership, Hr Practices, Strategic Priorities And Influential Leverage To unify and coordinate racially and ethnically diverse individuals and to recruit and advance the multicultural professors; the president has delegated the responsibility and charge to the hospital operations. The MGH community benefit program has collaborated with under-served communities to enhance the hospitals responsiveness. The institution has always promoted and developed the minorities in the nursing and allied health staff. The HR professionals and specialists strive hard to meet the diversity objectives by employing, training and framing performance based compensation programs. Since managements compensation is tied directly to achieving specific goals and targets; the staff has a professional practice environment with necessary resources and awareness about workforce diversity. In 2003, the Board of Trustees revised the guiding principles which avowed that diversity is vital to the hospitals chief roles of being a healthcare establishment and responsible member of the community. Nevertheless; modifying the principles, setting targets and standards and delegating responsibilities are not enough to create the required synergy. Every organization needs to raise a culture which fortifies workforce diversity. Efforts To Maintain A Culturally Competent And Proficient Institution In order to serve the community and reinforce diverse workforce; the culture of the institution has to be competent enough. Fostering a culture which welcomes minorities, women and under-served sections reflects community service and social sensitivity. The MGHs predominant culture propagates awareness about community involvement, professionalism and disparity elimination. The values and ideals of the institution are not restricted to the premises; in fact the ethos encourage education programs in churches and backward or under-developed areas, mentoring and coaching school students to opt for science, providing multi-language interpreter programs, outreaching summer research trainee programs, etc. The culture nurtures the employees by providing them with intramural diversity and cultural adeptness training. The hospital bestows support for academic and professional development through tuition reimbursement, flexible timings, child care and scholarships. There is a perfect blend of medical operations and community service. Subsequent Business Results Efforts to provide care and opportunities equitably to all sections of the society and utilizing the skills, competencies and know-hows of culturally and ethnologically diverse individuals have created a pool of ideas, experiences and strategies which has led to enhanced performances, high integrity, wise-decision making, quality healthcare, successful medical treatments/operations, etc. This has uplifted the name and reputation of MGH which was earlier considered as a detached and aloof institution. Now, the minority or under-privileged sections as well as women of Boston choose to be the part of its training and practice. Moreover, organizations taking initiative for community health and well-being are now eager to join hands with MGH and are keen on establishing strategic partnerships (Greenberg, 2004). References American Hospital Association. (2004). Strategies for Leadership: Does your hospital reflect the community it serves? Viewed 31 July 2016. https://www.aha.org/content/00-10/diversitytool.pdf. Greenberg, J. (2004). Diversity in the Workplace: Benefits, Challenges and Solutions. Viewed 31 July 2016. https://www.multiculturaladvantage.com/recruit/diversity/diversity-in-the-workplace-benefits-challenges-solutions.asp.

Symbolism in A Long Days Journey into Night Essay Example

Symbolism in A Long Days Journey into Night Paper ONeill makes extensive use of symbolism in the play by introducing objects, props and cultural artifacts that develop the major themes in the play. He achieves this by giving the objects second meanings far beyond the literal, and by having them stand for whole concepts that are in fact the plays core. One of the first and most meaningful things of this nature that the reader, or a member of the audience is introduced to is the fog and the foghorn, when Mary mentions them for the first time: Thank heavens, the fog is gone. I do feel out of sorts this morning. I wasnt able to get much sleep with that awful foghorn going all night long (Baym 1343). Throughout the play, the presence of the fog parallels the time of day when night comes, so does the fog, and when it is morning, the fog is gone. This, of course, is no coincidence. One of the key human features explored in the play is deception, or keeping each other in the dark. Thus, one might suggest that the fog and darkness in the form of the night are congruent symbols reinforcing one another, because they come together and empower the same concept. We will write a custom essay sample on Symbolism in A Long Days Journey into Night specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Symbolism in A Long Days Journey into Night specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Symbolism in A Long Days Journey into Night specifically for you FOR ONLY $16.38 $13.9/page Hire Writer The fog can also be seen as a sort of a personal fog each character is shrouded in, and something that suggest blurriness and unreality, especially in the final parts of the play when the fog is denser than ever and makes everything sound so sad and lost (Baym 1390-1391). The fog, then, obscures ones perception of the world, and it parallels the attempts of each member of the family to obscure or hide reality Tyrone and his stinginess, Mary with her addiction, Jamie with his life of a loafer and Edmund, with his tuberculosis that they all attempt to hide from Mary. The second important symbol is the foghorn, which too has a number of possible or combined meanings. Foghorns are used by ships for signaling in foggy conditions, therefore are a sort of warning and orienting signals. In the play, the foghorn stands for each family members efforts to find a way through the mess theyre in, perhaps excluding Mary, since she is completely passive. The fact that she does not like the foghorn also suggests that she is not up to trying to better the situation (Baym 1343). A partial success in finding a way through everything appears in the compromise that Edmund and Tyrone reach That Edmund doesnt have to go to a lousy sanatorium, and can go wherever he chooses. This compromise is only partial, though, because his choice has to be within reason (Baym 1402). In the warning sense, there are instances when the foghorn has significance as well, for example when Jamie warns Edmund of himself in his long speech Remember I warned you, for your sake. Give me credit. Greater love hath no man than this, that he saveth his brother from himself (Baym 1412). Thus, the foghorn symbolizes the search for solutions and ways around obstacles, but just as an actual foghorn on a ship, this search does not actively bring solutions about for the most part, it only emphasizes the presence of difficulties (the fog). A third major object, or objects, that stand for an important concept in the play are alcohol and morphine. The reason I chose to group them together is because both stand for the same concept escape. Alcohol does it for the men in the family, and morphine is Marys scene, but they all seek to escape what plagues them and these substances alter their thinking and perception (at least in theory) to do that. Nearly every stressful conversation or encounter that brings up any of the familys troubles results in either one (or more) of the men drinking, or Mary going upstairs to take morphine I understand that Ive been a God-damned fool to believe in you! Tyrone says as he realizes that his wife is back on the drug, and immediately pours himself a big drink (Baym 1366). Edmund drinks on several occasions although he isnt supposed to due to his illness, and even though his father knows it, he still lets him drink with only symbolic protest, probably because he subconsciously realizes that Edmund needs the escape just like him (Baym 1393). This peaks in the final scenes of the play, when the whole family is under the influence, and in a state of stupor. In the effort to obscure the grim reality from their minds (all of this with the dense fog outside and the faint haziness in the air), the men are all drunk, and Mary is higher than ever on morphine, according to Tyrone (Baym 1416). Therefore, both alcohol and morphine stand for the familys collective effort of escape. From the examination of the above and other objects, props, or cultural artifacts in the play, it becomes evident that the vast majority of those used by ONeill were meant to stand for more complicated concepts, and to act as symbols that develop the major and underlying themes of the play.

Biography of Kurt Schwitters, German Collage Artist

Biography of Kurt Schwitters, German Collage Artist Kurt Schwitters (June 20, 1887 - January 8, 1948) was a German collage artist who anticipated many later movements in modernist art, including the use of found objects, Pop Art, and art installations. Initially influenced by Dadaism, he created his own style, which he called Merz. He used found objects and items others considered garbage to create aesthetically appealing works of art. Fast Facts: Kurt Schwitters Full Name: Kurt Hermann Eduard Karl Julius SchwittersOccupation: Collage artist and painterBorn: June 20, 1887 in Hanover, GermanyDied: January 8, 1948 in Kendal, EnglandParents: Eduard Schwitters and Henriette BeckemeyerSpouse: Helma FischerChild: Ernst SchwittersSelected Works: Revolving (1919), Construction for Noble Ladies (1919), The Merzbau (1923-1937)Notable Quote: The picture is a self-sufficient work of art. It is not connected to anything outside. Early Life and Career Kurt Schwitters was born into a middle-class family in Hanover, Germany. At age 14, he suffered an epileptic seizure, a condition that recurred throughout much of his life and had a significant impact on the way he looked at the world. Schwitters began studying art at the Dresden Academy in 1909 seeking a traditional career as a painter. In 1915, when he returned to Hanover, his work reflected a post-impressionist style, showing no impact from modernist movements such as cubism. In October 1915, he married Helma Fischer. They had one son who died as an infant and a second son, Ernst, born in 1918. Initially, Kurt Schwitters epilepsy exempted him from military service in World War I, but as conscription expanded late in the war, he faced enlistment. Schwitters didnt serve in battle, but he spent the last 18 months of the war serving as a technical draftsman in a factory. Genja Jonas / Public Domain First Collages The economic and political collapse of the German government at the end of World War I had a profound impact on Karl Schwitters art. His painting turned toward Expressionist ideas, and he began picking up litter in the streets as found objects to incorporate into works of art. Schwitters gained the attention of other artists in postwar Berlin with his first one-person exhibition at Der Sturm Gallery. He created a non-sensical Dada-influenced poem, An Anna Blume, for the event and displayed his first collage works. Through the use of items that others would consider garbage, Schwitters illustrated his idea that art could emerge from destruction. Construction for Noble Ladies (1919). Kurt Schwitters / Wikimedia Commons / Public Domain Kurt Schwitters was suddenly a respected member of the Berlin avant-garde. Two of his closest contemporaries were Austrian artist and writer Raoul Hausmann and German-French artist Hans Arp. Merz or Psychological Collage While he engaged directly with many artists in the Dada movement, Kurt Schwitters devoted himself to the development of his own style that he labeled Merz. He adopted the name when he found a piece of an advertisement from the local bank or kommerz that contained only the last four letters. The Merz magazine first appeared in 1923. It helped solidify Schwitters place in the European art world. He supported lectures and performances by a wide range of Dada artists, musicians, and dancers. He often created collages to help advertise the events. The Merz collage style is also often called psychological collage. Kurt Schwitters work avoids non-sensical construction by trying to make sense of the world with a harmonious juxtaposition of found objects. The materials included sometimes made witty references to current events, and other times were autobiographical including bus tickets and items given to the artist by friends. In 1923, Kurt Schwitters began the construction of the Merzbau, one of the most ambitious of his Merz projects. He ultimately transformed six rooms of his familys house in Hanover. The process was a gradual one and involved contributions of art and objects from Schwitters ever-expanding network of friends. He completed the first room in 1933 and expanded from there into other parts of the house until fleeing to Norway in 1937. A bombing raid destroyed the building in 1943. Merzbau. Sprengel Museum / Wikimedia Commons / Public Domain In the 1930s, Kurt Schwitters reputation spread internationally. His work appeared in two landmark 1936 exhibitions at the Museum of Modern Art in 1936. One show was titled Cubism and Abstract Art and the other Fantastic Art, Dada, and Surrealism. Exile from Germany In 1937, the Nazi government in Germany labeled Kurt Schwitters work degenerate and confiscated it from museums. On January 2, 1937, after finding out that he was wanted for an interview with the Gestapo, Schwitters fled to Norway to join his son who left a week earlier. His wife, Helma, stayed behind in Germany to manage their property. She visited Norway regularly until the outbreak of World War II in September 1939. The last time Kurt and Helma saw each other was a family celebration in Oslo, Norway in June 1939. Helma died in 1944 of cancer before World War II ended. After Nazi Germany invaded and occupied Norway in 1940, Schwitters escaped to Scotland with his son and daughter-in-law. As a German national, he was subject to a series of interments by the U.K. authorities in Scotland and England until he eventually arrived at Hutchinson Square in Douglas on the Isle of Man on July 17, 1940. Dadaists in Germany including Kurt Schwitters. Apic / Getty Images A collection of terraced houses around Hutchinson Square served as an internment camp. Most of those in residence were German or Austrian. It soon became known as an artists camp since so many internees were artists, writers, and other intellectuals. Kurt Schwitters soon became one of the most prominent residents of the camp. He soon opened up studio space and took on art students, many of whom later became successful artists. Schwitters earned release from the camp in November 1941, and he moved to London. There he met Edith Thomas, the companion of his last years. Kurt Schwitters met a number of other artists in London including British abstract artist Ben Nicholson and Hungarian modernist pioneer Laszlo Moholy-Nagy. Later Life In 1945, Kurt Schwitters moved to the Lake District of England with Edith Thomas for the last stage of his life. He moved into new territory in his painting creating what are considered precursors to the later Pop Art movement in a series titled For Kate after his friend, art historian Kate Steinitz. Schwitters spent many of his last days working on what he called the Merzbarn in Elterwater, England. It was a recreation of the spirit of the destroyed Merzbau. To maintain his income, he was forced to paint portraits and landscape pictures that could be sold easily to residents and tourists. These show a heavy influence from his Post-Impressionist past. Kurt Schwitters died on January 8, 1948, from chronic heart and lung disease. This is a cover of a book of 8 lithographs entitled Die Kathedrale, published in Hanover in 1920. This publication was created as response to the Dadaism included in the periodical Dada: Receuil litteraire et artistique by Tristan Tzara. Corbis via Getty Images / Getty Images Legacy and Influence Whether intentional or not, Kurt Schwitters was a pioneer anticipating many later developments in modernist art. His use of found materials anticipated the later collage work of artists like Jasper Johns and Robert Rauschenberg. He believed that art couldnt be and shouldnt be restricted to a frame on a wall. That point of view impacted the later development of installation and performance art. The series For Kate is considered proto-pop art through its use of a comic book art style. Merzzeichnung 47 (1920). Kurt Schwitters / Wikimedia Commons / Public Domain Arguably, the most complete representation of Schwitters artistic point of view was his beloved Merzbau. It allowed those in the building to immerse themselves in an aesthetic environment composed of found objects, autobiographical references, and the contributions of friends and acquaintances. Sources Schulz, Isabel. Kurt Schwitters: Color and Collage. The Merrill Collection, 2010.

Definition and Examples of Enumeratio in Rhetoric

Definition and Examples of Enumeratio in Rhetoric Enumeratio  is a  rhetorical term for the listing of details- a type of amplification and division. Also called enumeration  or  dinumeratio. In A History of Renaissance Rhetoric 1380-1620 (2011), Peter Mack defines enumeratio as a form of argumentation, in which all the possibilities are set out and all but one are eliminated. In classical rhetoric, enumeratio was considered part of the arrangement (dispositio) of a speech and was often included in the peroration (or closing part of an argument). Etymology From the Latin, counting up Examples and Observations Enumeratio in Speeches[W]hen we allow freedom to ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of Gods children, black men, and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, Free at last! Free at last! Thank God Almighty, we are free at last!Enumeratio and Division[E]numeratio . . . partitions a subject into its adjuncts or features. If numbering of the parts is added to the division, labeling a first, second, and third item in a series, the figure is eutrepismus (Joseph 1947, 11-114). Division as an argumentative strategy . . . can be stretched across paragraphs or pages, but to be stylistically visible or figured, any of these divisions must produce either a list of words or phrases in a single sentence constituent or contiguous predictions in a short stretch of text.Enumeratio in an Essay by Jonathan Swift[A]mong such as deal in multitudes of words, none are comparable to the sober deliberate talker, who proceedeth with much thought and caution, maketh his preface, brancheth out into several digressions, findeth a hint that putteth him in mind of another story, which he promiseth to tell you when this is done; cometh back regularly to his subject, cannot readily call to mind some persons name, holding his head, complaineth of his memory; the whole company all this while in suspense; at length says, it is no matter, and so goes on. And, to crown the business, it perhaps proveth at last a story the company hath heard fifty times before; or, at best, some insipid adventure of the relater. Negative EnumerationHe believed he was a newspaper reporter, yet read no paper except The Mockingburg Record, and so managed to ignore terrorism, climatological change, collapsing governments, chemical spills, plagues, recession and failing banks, floating debris, the disintegrating ozone layer. Volcanoes, earthquakes and hurricanes, religious frauds, defective vehicles and scientific charlatans, mass murderers and serial killers, tidal waves of cancer, AIDS, deforestation, and exploding aircraft were as remote to him as braid catches, canions and rosette-embroidered garters. Scientific journals spewed reports of mutant viruses, of machines pumping life through the near-dead, of the discovery that the galaxies were streaming apocalyptically toward an invisible Great Attractor like flies into a vacuum cleaner nozzle. That was the stuff of others lives. He was waiting for his to begin. Pronunciation e-nu-me-RA-ti-o Sources Martin Luther King, Jr.,  I Have a Dream,  August 1963Jeanne Fahnestock,  Rhetorical Figures in Science. Oxford University Press, 1999Jonathan Swift,  Hints Toward an Essay on Conversation,  1713E. Annie Proulx,  The Shipping News. Simon Schuster, 1993)

Issue14 Essay Example | Topics and Well Written Essays - 750 words

Issue14 - Essay Example The major theme of this method was to simply identify the top performers of the company, along with employee’s slight developmental needs and the dismissal of underperformers. GE remained successful with the execution of this method; later several companies adopted forced ranking performance, because it gave them the positive outcomes. Two issues were brought into attention regarding this method, in association with Alex Blyth & Gail Johnson. Alex Blyth supported this appraisal method in accordance with ‘cull or cure’. Operating the culling system over the bottom employees, will elaborate morale among the rest of the employees. Culling must be done properly to gain the positive results. Gail Johnson profoundly disagreed with forced ranking performance method. He stated that, it is such a method which will give birth to negative environment within the company employees, in reflection to several perspectives (discrimination & highly competitive environment). Today, approximately 20% of the fortune companies are still adopting the method of forced ranking performance, out of which some gain benefit, some remains at average and some face the possible chances of enduring the case of unfair appraisal system. Jack Welch’s policy of ‘rank and yank’ got popularity among huge organizations with effective results. Giving financial rewards to the top 20% & training the middle 70%, have been satisfactory enough; but straight firing the 10% of the bottom, blasted as the red light agenda among the organizations. Critics argued it to be as undermining the team work within the company. In general, the main motive of the employees should be working as a group for the company’s benefits, but the action of firing would enforce the engagement of employees in wasteful playing game situations to get the reward. According to the survey of Sanford professors, ‘Jeffery Pfeffer & Robert Sutton†, forced ranking performance encouraged